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A relatively moderate tempo piece in 9/8. Heard here are Turkish Ney, Bağlama Saz, bass guitar, and percussion. The title is a play on the pronunciation of the Turkish rhythm pattern the song is based around, karşılama.

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from Belly Dance Practice Music, Vol. 2, released May 1, 2012

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Ron Perovich Dallas, Texas

Amateur musician and composer based currently in Texas. A multi-instrumentalist focused on strings and winds of the eastern Mediterranean, "middle east," and central Asia. Recording self-produced instrumental music for belly dance groups and other projects since 2009. ... more

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